德克斯特·摩根從昏迷中醒來(lái)，發(fā)現(xiàn)哈里森不知所6080。意識(shí)到自己對(duì)兒子造成的傷害，德克斯特啟程前往紐約，決心找到哈里森，彌補(bǔ)過(guò)失。但最終的結(jié)局并非易事。邁阿密地鐵的安吉爾·巴蒂斯塔帶著疑問(wèn)前來(lái)，德克斯特意識(shí)到自己的過(guò)去正迅速地追上自己。父子倆在這座不夜城里摸索著各自的黑暗，很快發(fā)現(xiàn)自己陷入了比想象中更深的困境——而唯一的出路就是攜手共進(jìn)。

6080When his girlfriend Sasha and best friend Elias give hothead Richard a harpoon for his birthday, he wants to try this new toy out right away. So the three of them set out for a day trip on a boat, but suspicion and jealousy soon start to get the upper hand. Before long, the tension has become unbearable. To make matters worse, the boat’s engine fails and then it turns out they left their supplies on shore a nerve-wracking struggle for survival ensues that spares no one’s secrets – or blood.　　This post-modern adaptation of a story by Edgar Allan Poe in which three shipwrecked sailors draw lots to see who has to sacrifice himself as a cannibalistic snack, is a bloodthirsty thriller that leaves sufficient space for laughs. It’s painfully obvious from (nautical) miles away that this triangular relationship is not going to end well.

《RedArmy》是一部關(guān)于前蘇聯(lián)體育盛世時(shí)期紅軍冰球隊(duì)的電潦草網(wǎng)。以隊(duì)長(zhǎng)斯拉瓦·費(fèi)季索夫的視角為觀眾講述。故事描繪了他從國(guó)家英雄到民族政敵的巨大轉(zhuǎn)變。從蘇聯(lián)到俄羅斯，電影探討了體育運(yùn)動(dòng)如何真實(shí)的反映了社會(huì)和文化運(yùn)動(dòng)，紅軍冰球隊(duì)的興衰也映照了前蘇聯(lián)政權(quán)的變遷。